明天文化

成都驻留项目VI丨本期艺术家:雪芹子

发布时间:2017-08-18 14:08



“ 雪 芹 子 部 分 过 往 作 品 ”


即时现场安装艺术系列:

任何东西都可以随时做艺术。 暂停某事的状态造成艺术事件,然后恢复其原始状态。

Stant on-site Installation art series:

Anything can be art at any time. suspend the state of something to cause an art event, and then restore its original state.


•   荷塘月色 / 琉璃废料、石台 / 30x30cm / 2012

•   Moonlight in lotus pond / Glazed waste,Stone console / 30x30cm / 2012


博山陶琉之乡因加工外单工艺品而逐渐失去原古典美学价值追求,作者利用琉璃生产过程中偶然产生的形态模拟水墨写意国画笔墨造型营造中国美学意境即时装置,表达对博山乃至国内工艺现状的忧虑。

这是一次因材料材质触发的偶发艺术。在记录下图像资料后,创作作品的材料琉璃废料重新回归本来功能。作者用工人生产过程中产生的琉璃废料在琉璃操作台上摆出中国古典美学意义的浮雕式图像,然后重新把琉璃废料放回生产过程中去。

Bo shan ceramic hometown of processing for single crafts and gradually lose the original classical aesthetic value, artists use incidental glass production process simulation of shape modeling, ink freehand painting to create artistic conception of china scene real-time device.

This is a casual art triggered by material. After recording the image data, materials for the creation of the works are recycled to the original function. The author uses the waste glaze produced by the workers in the process of production, and puts forward the reliefs of chinese classical aesthetics on the glazed table, and then puts the glass waste back in the process of production。


•   枯河 / 木皮 / 12000X130cm / 2014

•   Dry Creek / Veneer / 12000X130cm / 2014


•   死海 / 木皮 / 尺寸可变 / 2014

•   Dead Sea / Veneer / size is not limited / 2014

《木皮计划》:利用木皮的形态模拟自然景观,结合本地生产环境产生语义,表达对家乡当地因经济原因对于当地原木资源过度消耗的焦虑。

在作者的家乡木皮生产基地山东省郓城县,在木皮加工场附近用木皮制作即时装置,实施艺术创作。实施艺术创作行为之后作者把木皮重新放回生产过程。

Brief description of the works: The characteristics of the veneer are used to imitate the flow of the river and the sea, and the veneer is laid in the poplar forest and the nearby wheat fields. After the record, the veneer is returned to its original production process.


•   天恩 / 地下水、棉纱、不锈钢水槽、塑料水管、水龙头、水表 / 4500X180X120cm / 2016 - 2017

•  The Grace Of Heaven / Groundwater, Cotton yarn, Stainless steel homemade sink, Plastic water pipes, Faucets, Water meters / 4500X180X120cm / 2016 - 2017


黑桥的生活用水是经过简单处理过的地下水,这是中国特色的现象。从2016年到2017年艺术家居住黑桥的时候,花费了一年时间I用自制的不锈钢水槽上千层棉纱过滤了百吨地下水,让它们还原给了大自然。

In Heiqiao town the living water is a simple treatment of groundwater  that is a phenomenon of Chinese characteristics, the artist spent a year to filter a hundred tons of groundwater by self-made large-scale water treatment device with 1000 layers of cotton yarn layer of cotton yarn to restitute to nature when she lived there from 2016 to 2017.


•   谷雨 / 农用塑料膜、宋庄满月塘池水、砖 / 1.75x6.50m / 2016

•  GuYu / Agricultural plastic film, Songzhuang full moon pond water, Brick / 1.75x6.50m / 2016


作品创作那天是谷雨,艺术家用塑料布盛水悬于天井之上,使天光24小时穿过水体照射在天井下,以呼应节气内涵。

谷雨意即“上天下泽”。艺术家利用空间的现有构造、借用自然力和塑料材性制作现场装置,营造一种场景,试图传递“天与人”关系的某些思考。

The artist put plastic cloth filled with water hanging on the patio that the light from the sun and the moon through the water irradiation in the courtyard for 24 hours  to  echo the day 's connotation that the creation of the work of the day is China's solar terms "GuYu" meanings praying for rain for cereals.

Artist  used the existing structure of space and plastic materials by natural forces to produce real-time field devices to create a scene for trying to explore the relationship between heaven and earth and people.



行为艺术作品系列:

艺术家认为行为艺术也是一种即时现场艺术,艺术家本人、肢体语言、身体、身份、场景、时间都可以作为即时现场艺术的创作元素,艺术家总是在现场找到和运用适合的有意义的元素表达她关于当下现场或与现场相关联的感受和思考。

Performance art works Series:

Artistic Art is also an immediate live art, The artist himself, body language, body, identity, scene, time can be used as the creative elements of real-time live art, the artists often find and use the appropriate meaningful elements at the scene to express her on the scene or associated feelings and thoughts.


•   刷脸日志 / 行为 / 2015

•   Refresh Face / Performance / 2015


2015年1月创作微信日常行为《刷脸日志》,2015年11月21日结束。

Daily performance art in the WeChat on the "Brush face", November 21, 2015 end


•   土特产 / 6’15”录像截屏 / 2015

•   Native / Products video 6'15 "screenshots / 2015

借用日常行为表达对故乡的悲悯。

把家乡废土当作炒面喝。

The use of daily behavior to express the compassion of the hometown.

The hometown of waste as a granules to drink


•   守 / 行为 / 2016

•   Hold On / Performance / 2016


•   追问 / 行为 / 枯树枝、麻绳、502胶水 睫毛胶水 / 2016

•  ASK / Performance / a withered tree、a hemp rope、502 glue、eyelash glue / 2016


通过无效的行为表现执念

盲击一杖

The performance of persistent attitude through the invalid behavior

Blind hit a stick


•   圆谎 / 行为 / 陶泥 / 2017

•   Lie Well / Performance / Clay mud / 2017


严肃化儿童游戏,借用儿童玩泥巴游戏表达对当下某些话语权的挑战。

“深化”儿时玩泥巴“摔瓦屋”游戏。

Serious child childhood play mud "wagging tile house" game, borrow children play mud game expression on some of the current language questioned



•   真理 / 行为 / 陶泥 / 2017

•   Truth / Performance / Clay mud / 2017


作品试图用民间儿童游戏演绎抽象概念,揭露某种规则下真理的本质。,

众人接力玩摔泥巴游戏“摔瓦屋”,暗喻真理概念的本质内涵。

Works trying to use folk children's game interpretation of abstract concepts, metaphor under certain rules of the essence of truth.

All the people to play the fall of the mud game "Wagging Tile House"



•   秘密 / 行为 / 2017

•   Secret / Performance / 2017

把一个艺术方案的实施过程放置于社会现实情境中,任其自行发展,让其自行显现其意义或无意义。

Let an art program show its meaning or meaninglessly by placing its implementation process in its own social reality


•   爆破宣言 / 行为 / 2017

•   Blasting Declaration / Performance / 2017

用诗歌朗诵表演表现荒诞感当下情势对艺术家的恐慌

扮成恐怖分子朗诵诗歌化的《爆破安全距离规定》

Recitation performance with poetry performance absurd feeling the current situation of the artist panic

Dressed as terrorists recite the poetic "blasting safety distance"



•   暖 / 行为 / 2017

•   Warm / Performance / 2017

众人用体温接力暖干一片冰凉的纸

设备材料:手工纸,冰块一杯,自制保温箱,24层泡泡膜,保鲜膜,温度计

Everyone with a thermostat warm dry a piece of cold paper

Equipment materials: handmade paper, ice cup, homemade incubator, 24 layer bubble film, plastic wrap, thermometer

其他实验性作品:

在现成品上进行艺术加工,使之产生新语境,表达一定的观念。与其他类型作品保存内在逻辑联系

Other experimental works

The artist in the finished product on the art of processing to produce a new context to express certain ideas to preserve the intrinsic logic of contact with other types of works



•   箴言 / 现成品《新华字典》1970版 / 2015

•   Proverbs / "Xinhua Dictionary" 1970 edition / 2015

材料:现成品《新华字典》1970版

用金箔把字典中的“口”封住

Material: Finished product "Xinhua Dictionary" 1970 edition

The dictionary in the "mouth" sealed with gold foil


•    离歌 / 现成品二胡70年代、线锯、锯片 / 2017

•   The song of separation / Finished product Er hu 70 years、saw、saw blade / 2017


•   排毒 / A4纸、中性笔 / 2016

•   Detoxificatio / A4 paper、pen / 2016

实施过程:模仿曼陀罗绘画治疗用中性笔在纸上画圆形直到笔墨水用尽

The process of implementation: The artist imitated Mandala painting treatment that draw a round pen on paper with a pen until the ink runs out


•   失语系列4 / 现成品、吹奏乐器、墨泥 / 2017

•   Aphasics4 / Finished product playing instrument ink / 2017

实施方法:用墨泥把乐器的空腔封死

Implementation method: the instrument cavity sealed with ink mud


雪 芹 子

全名刘雪芹,山东省菏泽市人

原从事传统绘画艺术,山东艺术学院艺术学学士

山东师范大学美术教育硕士,中央美术学院实验艺术学院访问学者

曾参加过的重要展览

■  2012

《荷塘月色》    山东博山

■  2013

《瓶颈》            北京中央美院

《亲爱的》      《无界》铸造美术馆,北京

■  2014

《死海》《枯溪》 山东郓城

《守望》            山东菏泽

《树书》            山东菏泽

■  2015

《刷脸日志》    微信日常行为

《一颗石头》    北京花家地

《寻找五色土》北京B-space空间

《土特产》        山东菏泽

■  2016

《天恩》            北京B-space空间

《亲爱的》之二《宋庄十周年》宋庄美术馆,北京宋庄

《亲爱的》之三《宋庄女艺术家联展》国中美术馆,北京宋庄

《谷雨》            “空隙:关系” ,宋庄

《守》                宋庄中捷美术馆

《追问》            北京青年100项目

《箴言》            北京草场地

■  2017

《排毒》            山东菏泽

《圆谎》            河北彭城张家楼艺术区

《秘密》            河南林州平板岩太行山旅游区

《爆破宣言》    上苑美术馆2017诗歌朗诵会

《暖》                无二白集 将将空间

《真理》            上苑美术馆创作展

Xue Qinzi

Chinese name is  Liu Xueqin .She was born in HeZe city of Shandong province in China.she spent earlier pats of her career in chinese traditional art and transitioned to an experimertal artist trying to carry out her artistic ideal via various media recently .

The exhibitions he once participated

■  2012 

 "Lotus Pond Moonlight"  Shandong Zibo

■  2013

"Bottleneck" series of works , Beijing CAFA.

"Dear" , "Unbounded" Cast Art Museum, Beijing Songzhuang.

■  2014

"Dead Sea", "Dry Creek" , Shandong Yuncheng.

"Watch", Shandong Heze.

"Tree's handwriting" , Shandong Heze.

■  2015

"Brush face log",.Creation of WeChat daily behavior 

"A stone" , Beijing.

"Looking for colored earth", Beijing, B-space .

"Native products", Shandong Heze.

■  2016

"The grace of heaven",Beijing B-space

"Dear" two,"Song Zhuang ten anniversary" Songzhuang Art Museum, Beijing Songzhuang.

"Dear" three , "Song Zhuang female artist exhibition" National Museum of Art, Beijing Songzhuang.

"gap: relationship", field device "Guyu",Beijing Songzhuang 

"Hold on", Songzhuang Zhongjie Museum of Art,Beijing.

"Asking", Beijing Youth 100 Project ,Beijing.

"Proverbs" grass field ,Beijing

■  2017

"Detoxification" ,Shandong Heze

"Lie well" Zhangjia Lou Art District, Hebei Pengcheng

"Secret" Taihang Mountain tourist area, Henan Linzhou Slate rock town

"Blasting Declaration"  The Museum of Art Museum 2017 poetry recitation,Huairou,Beijing.

"Warm"  TIANGTIANG SPACE, Beijing

"Truth" Shangyuan Art Museum Creation Exhibition,Huairou,Beijing.



 主 办 方 介 绍 


明天文化   艺术投资管理有限公司作为中国西南地区最大的当代艺术收藏机构,旨在支持中国当代艺术的良性发展,建立与世界各地艺术家及艺术机构的交流渠道,为中国艺术家提供多元化平台。明天文化参与并赞助了多项艺术公益项目:赞助举办了威尼斯双年展有史以来规模最大的平行展“未曾呈现的声音”;与“ 芭莎艺术”“联合主办明天成就梦想——芭莎艺术校园行”、 “ 2013明天成就梦想——明天就去威尼斯 ”校园公益活动;作为尤伦斯当代美术馆理事并赞助尤伦斯2014秋季艺术大展 “ 洛杉矶计划 ”;在四川美院雕塑系设立明天当代雕塑奖等 。

艺琅国际   致力于探究全球语境下中国当代艺术的成就和发展方向,呈现中国当代艺术体系的发展进程。为了实现这一终极理念,艺琅国际不仅不遗余力地推动各种类型的优秀当代艺术,也致力于发掘具有崭新视觉和态度的当代艺术家们,探讨当下的艺术新媒介、新美学对当代中国艺术的影响。艺琅国际具备规范的组织架构、国际化当代艺术的运营模式、优秀的管理团队,权威的艺术专家顾问,并拥有完善的艺术展示空间以及国际化的艺术家驻留平台。


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