明天文化

成都驻留项目VI丨本期艺术家:文鹏

发布时间:2017-08-18 14:44

“ 文 鹏 部 分 过 往 作 品 ”


行为白人系列:

Performance White-man Series:


•   艺术卑微 / 2001

•   The Humble Art / 2001

我躺在展厅门口,观众只有跨过我作品才能进入展厅 

I lay on the hall door,just across the audience to enter the hall of my work


•   玩木偶 / 2003

•   Puppet play / 2003

把自己的头、手、脚用绳子连着,由观众控制

To his head,hands,feet,respectively,with a rope attached,controlled by the audience


•   不倒翁 / 2004

•   Tumbler / 2004

把我固定在弹簧机基座上,由观众拉得东倒西歪

I fixed the base in the spring by pulling the audience too rickety


•   玩电游 / 2006

•   Play video games / 2006 

观众操作电子游戏机键面,我受命表演

Key area for operating the electronic game audience,I command performance by



•   打地鼠 / 2007

•   Hit shrewmouse / 2007

在地鼠洞里,出没真假白头,观众可有选择的打击

ChinaRat holes in the ground,out into the true and fales white head,the audience may have selected against



•   玩蹦极 / 2008

•   Bungee / 2008

观众一按红键,我就被弹到半空

Viewers press the red button,I wad playing to half empty



•   丢西红柿 / 2009 

•   Throw tomatoes / 2009   

1千斤西红柿,观众丢向被挂在墙上的我

500kg tomatoes,the audience lost to me,i was hanging on my wall


•   玩电视 / 2010

•   Play TV / 2010 

观众遥控电视,我针对电视声音表演

Viewers control TV,I perform for the TV sound



•   奈何桥 / 2011 

•   Gates of hell / 2011

我喝着酒走过奈何桥,酒醉失忆终止

I am dringking wine through the gate of hell,I am drunk on the loss of memory



•   贴面游戏 / 2012

•   Face game / 2012 

白人在展厅,不断地贴近不同观众

White man in the exhibition hall,constandy close to different audiences



•   功夫·千层纸 / 2013

•   Kung Fu thousands of layers of paper / 2013 

白人击打一叠报纸,三千拳后,由观众自由击打

Whites man hit a stack of newspapers,three thousand fists,the audience free to hit



•   摆拍 / 2014 

•   Shot pur / 2014

白人由几人抬着,在城市的大街小巷,任由摆布,被拍成照片

White man by several people carrying,in the city streets,at the mercy,was made into photographs


•   来北京呆一天 / 2015

•   Come to Beijing for a day / 2015

白人在笼子里面,不吃不喝不拉,被“囚禁”了24小时

White man in the cage,do not eat do not drink pull,was imprisoned for 24 hours



•   一根小刺 / 2016

•   Small thorn / 2016

白人将自己套在封闭的被单里,看着A片自慰

White man put themselves in a closed list,watching a porn masturbation


独角戏系列:

Monologue Series:

•   盗墓者 / 2008

•   Tomb Raider / 2008


•   乞丐 / 2009

•   Beggar / 2009 


•   动物的世界 / 2010

•   Animal world / 2010


语画系列

Language Painting Series

•   语画系列之十一 / 2012

•   No.11 Composition / 2012

阿一法师是洪山庙的主持,洪山庙只是城郊的一间小庙,但历史上是禅宗一个流派的发源地,由于近些年港澳和新加坡香客的寻根和捐赠,小庙几经翻新也气派起来了。

小庙的红火,也让阿一法师仕途顺风顺水,政协委员-省佛教学会主席-人大代表,这让法师忙得不亦乐乎。

近段时间全国都在组织唱红歌,法师也不例外,这是让他恼火的事情。他本五音不全,自己在寺庙长大,也没有接触和训练过,他花了比别人多三倍的时间,也没搞出一首完整的歌来。还好多是大合唱,他只能张张嘴巴敷衍着,这种作假实在有愧于佛祖。但经过一段时间的练习,阿一法师发现自己的大悲咒比以前呤诵的好多了,看来唱红歌的运动,阿一法师亦有收益。

Master Ayi is the abbot of Hongshan Temple,which is just a suburbun temple,but historically was the birthplace of a genre of Zen.In recent years due to the donations of the believers from Hong Kong,Macau and Aingapore,this small temple got revamped and becames revived.

In the light of prosperity of the the temple,Master Ayi is more and more successful in his career:CPPCC membership-Chairman of the provincial Buddhist Association-Representative of People'Congress,which makes the Master busy and happy

Recently,nationwide all of the goverment departments were engaged in the campaign of“Singing Revolution songs”.The master also joined,but this was not a pleasent thing for him.He grew up in the temple and is not good at singing.In addition,he never got trained or involved in such kind of activity.He spent more than three times the time than the other practicing it,but still failed to sing a complete song.Luckly,most of the songs were performed in the form of chorus,so he could only imiate the gestures of other people and affect singing.However,as a Buddhist abbot,his act is really a disgrace to the Buddha.

But after a period of practice,Master Ayi finds out that he can chant the scripture of deep sorrow much better than before.It seems this campaign is beneficial to Master Ayi actually. 

.

•   语画系列之十三 / 2013

•   No.13 Composition / 2013

阿一出生在一个毫无生气的乡村,这里交通不便,山多田少,亦无矿产,已至三十几岁还光棍一个。在村里他还不是最惨的,像他这种境遇的单身汉比比皆是,就拉了一车女的三下乡,也解决不了他们的问题。

阿一就几亩田,闲时很多。但乡间也有文娱活动,那就是赌博,大的玩斗牛,砸金花,扳砣子,赌小的玩跑得快和贰伍捌,阿一当然只能混迹小圈子,还常常被打断腿,真是有点沮丧。

去年突然在阿一家门口拉了一条大路,小乡村也开始了翻天覆地的变化,征田征山、征房子、阿一收获颇丰,一下子得到了征收款几十万。这让他几晚没睡着,看看这些钱就头晕、胃疼,怎么办呢?

哥们邀他去斗牛,“对,也该潇洒一下了。”阿一兴冲冲的赶到牛棚,准备大干一场,看来牛棚比小场子过瘾多了,最小的也是一、二、三百,要围水的话,输赢就是大几千。阿一兴头来了,几十万征收款一晚就输光。

阿一回家上床,对,他应该一直没下过床,这只是个梦,很真实的梦。

Ayi was born in a little lifeless villaage,which is traffic inconvenience,a lot of hills instead field and none of mineral products.Ayi lived here for more than 30 years,and do not married.This poor village have many single men,even if give them a lot of women by goverment policy that can not solve these embarrassing phenomenon.

Ayi have plenty time because of he had not enough farmland to work.There is noting especial amusement but kinds of gamble games.Therefore,Ayi waste a lot of time in those gamble games that often lose money and beaten by other gambler.

Last year,there comes a new wide road in front of Ayi's house.The small village also began to turn the world upside down change by seized houses,farmland and hills.This changes brings Ayi gets a small fortune,then make him so excited that can not sleep all night for several days.

A few days later,some gambler invited Ayi do some games as usual,but this time they comes to a bigger gambling house.At end of those games,Ayi had lose all the money which is just got in this period,Finally,when he came home and go to bed he realized everything happened in these days like a extraordinary reality dream through the night.


•   语画系列之三十 / 2014

•   No.30 Composition / 2014

阿一从睡梦中被人推醒,“起来,干活了!”迷迷糊糊的拿着家伙跟着出了门。

他们来到一个桌球厅把两个人围住,用刀架着,拖到了院子里的两棵树前,用两个带锁的钢圈把那两人锁在树上。看来,今天大哥是有备而来,他拿出三块黑乎乎的东西对那人说:“这是你以前砍下我的一节手指、半块耳朵和我大腿上的一块肉,老子今天都要还给你。”院子里围观的人越来越多,大哥更兴奋了。他先在那人的脸颊上割了一刀,拿出了另一个像勺的东西让他骨肉分离。那人狂叫挣扎着,但被阿一他们按着动弹不得。再从另外一人身上切下一节小拇指,半块耳朵,在大腿上又挖了一块肉,全部塞进那人的脸颊,大哥再拿出一颗带线的针,把他伤口缝起来,这让那人的脸长得莫名其妙。

“警察来了!”大哥从容地给针线打了结,掏出一把手枪,朝天放了一枪,人群大乱,阿一他们乘乱消失在人流中。

Ayi is awakened from his sleeping,“get up work”Ayi takes his thing and out in a daze.

They come to a billiard hall and surround two men,they strapped the two men to two trees with a kinfe,they use two lockable steel ring lock the two men on the tree.It looks brother prepared the thing today,he takes three black things to the two men and said:“Those are my fingers,ears and half a piece of meat on my thigh you cut,today i have to pay you back”

More and more people Crowd,brother seems excited.He drew a knife in a men's face and makes his bone-meat separated.Then he cut the little finger from another person,half a ear,in the thing and dug a piece of meat,all crammed into the first man's cheek,and then uses a needle to seam up.That makes the man's face looks very strange.

“the police is coming”a voice said,big brother takes his gun and shot to the sky,the brother and Ayi disappear in the crowd


新闻早餐系列:

News breakfast  Series:

•   新闻早餐 / 综合材料 / 50x62cm / 2016

•   News breakfast / Mixed materials / 50x62cm / 2015


新闻农场系列:

News Farm  Series:

•   籼稻1号 / 水泥 钢筋 现成品 / 2016

•   A number of Indica Rice / Cement reinforced concrete / 2016


•   农场米 / 水泥、钢筋、现成品 / 2016

•   Farm rice / Cement、reinforced、concrete / 2016

新闻无力提供真相,社会人也无法通过新闻面对现实困境。

作为一种粘合剂,新闻的功能在于让人脱离虚拟世界、造梦空间、虚无幻境的自我诱惑,将思维缰绳捆绑在坚硬的世俗之下,个体通过感知他者的存在以确认自身的存在,并反身赋予了所在世界的真实性。

文鹏对新闻的劳作建立在当代艺术的异维视角:在信息泛滥的动物庄园,假象即是真实,虚拟即是实在。回审农耕时代,时空存在太多断裂,控制力因为孱弱反而清晰呈现,而进入后现代社会,权力借助信息科技实现了彻底控制,却藏而不显;新闻遍地丛生,却转瞬即逝;它既可以挂花边佐料之名,也可以行血腥屠戮之实。

在历史行进的高速公路上,被反复碾轧的粉尘艰辛的翻滚着,隐藏于微观感知背后的,是怎样的恶以正当的名义疾驰而过?

在这个意义上,文鹏通过解析新闻的荒诞性而向当代社会的黑暗原型问责。通过作品的艺术视角介入,艺术家的工作所呈现的是对外部世界的解剖与重置,以一种不可理喻的态度;正是暴雨倾盆时刻,才是野火烧山季节。

—— 袁霆轩


As news coverage cannot affirm the truth, the society cannot disclose undesirable circumstances in real life.

Like a kind of adhesive, the function of news is to exempt people from the virtual world, the “dream space”, self-indulgence in utopian realm, also to confine the fixed thinking mode within invariably mundane conventions, in this way, individuals identify themselves by means of perceiving others’ existence and reflexively endow the world with truthfulness.      

Wen Peng's engagement in news is premised on a singular perspective of contemporary art, in other words, in the “animal manor” of information abuse, falsity is truth and what is virtual is realistic. Tracing back to the era of farming, there were so many fractures in time and space, however, the dominance explicitly presented itself owing to fragility. As of the postmodern society, the power exercises thorough control by means of information technology without showing much effort. News emerges everywhere and passes in the blink of an eye, it can be linked to gossips and scandals or connected with realistic, sanguinary killings.    

On the express way of the progress of history, as the repeatedly crushed dust is being rolled over and over toughly, behind the concealed microscopic perception, what kind of wickedness is sweeping swiftly in the name of legitimate righteousness?

In this sense, by analyzing the absurdity of news, Wen Peng is to ask who should be held accountable for the violations in contemporary society. Through the intervention of artistic perspective, what the artist’s work showcases is the anatomy and resettlement of the external world in an unreasonable manner. The instant of heavy downpour is just the moment that wildfire breaks out in the mountain.

—— Yuan Tingxuan



文 鹏

1977  出生于中国湖南宁乡

2001  湖南师范大学毕业,中国长沙

现居中国长沙 

现主要从事行为、装置、影像、油画等艺术创作

个展

■  2016   新闻农场挤奶工的春天 文鹏个展 前行美术馆 中国长沙

■  2014   “人•偶”文鹏个人项目 美国大使馆Taxi艺术沙龙空间,中国北京

               《玩雾》腾挪空间 中国广州

■  2013 《独角戏》文鹏艺术实验 798白盒子 中国北京

■  2011   2:54文鹏个展  中国长沙

■  2010 《扁担戏》文鹏独角戏展播周 中国北京

■  2009 《被掏空的躯壳》文鹏行为展播 中国长沙

                “白人的头皮屑”文鹏个展 中国长沙

■  2008   “欢乐的梦魇”文鹏个展 中国北京

■  2002  《乌托邦》装置艺术个展   中国长沙

 

联展

■  2016

《一根小刺》   “倒刺”湖南实验艺委会年度展 中国长沙

《语画系列》    别处?organhaus特别计划2016 中国重庆

《通灵小物件》“在云上—行为艺术现场” 中国昆明、师宗

《长沙或西安》西安国际行为艺术节 中国西安

《展品》            腾挪---一所民宅艺术机构的自制之维 中国深圳

《新闻早餐》    出湘入湖当代艺术展 中国长沙

■  2015

《玩跳尸》        798艺术节“推介展”个展系列 中国北京

《石头剪刀布》“从1984到美丽新世界”湖南实验艺委会年度展 中国长沙

《独角戏》        798艺术节新民间转换展 中国北京

《动物的世界》、《陪聊》、《阿一的一天》、《来一场狂醉》参加策划安道尔艺术所“行为联播”中国长沙

《新闻早餐系列》极目楚天湖南艺术方阵 中国长沙

《作品十一号》    即兴《降温3度》《等天黑60分》重要的不是身体 中国成都

《来北京呆一天》拖吧π空间 中国北京

《新闻早餐系列》《语画系列》《白人系列》反叛与游牧当代艺术展 中国长沙

《无题二十八》    当量 湖南省油画学会年度作品展 中国长沙

■  2014 

《在连通》         第三届木鱼湖艺术节 中国湘潭

《通灵系列》    此时彼地油画展 中国广州

《独角戏》        理想之光艺术展 中国长沙

《语画系列》    湖南当代艺术生态考察第一回 中国长沙

《游走魔方》     行为艺术单元 中国北京

■  2013 

《语画系列》     联合双年展之桃园内外 中国长沙

《纸新闻》         报刊当代艺术展    中国长沙

《梦里婚姻》     段江华和他的学生 中国北京

■  2012 

《语画系列》     “从写实出发”湖南青年艺术家提名展 中国长沙

《贴面游戏》     望京soho 中国北京

■  2011 

《藏》                 新媒体与民间实验展 中国重庆

《2011亚洲网络行为艺术节》韩国首尔Mullae艺术空间、光州市立美术馆

《奈何桥》         中国长沙浏阳河艺术园

《独角戏》        亚洲当代艺术展 中国澳门 

《白天过了是黑夜》 澳门国际现场艺术节 中国澳门

■  2010 

   湖南当代青年艺术展 中国北京

《玩皮影》系列  新鲜——十种可能 中国北京

《水上风筝》      “月湖发生”第二届现场艺术节 中国长沙

《玩电视》          “缘”当代艺术展 中国长沙

■  2009

《没开好头的成语接龙》 行为《玩鱼漂》第六届长沙当代艺术展 中国长沙

《做宅男的理由》GREEN当代艺术项目 中国北京

《丢西红柿》      “两湖潮流”湖北湖南当代艺术30年 中国广州

《独角戏乞丐》  西安第三届“谷雨”行为艺术节 中国西安

■  2008

《白人系列》      康嘉若画廊  中国北京

《玩蹦极》          以身现身中国行为艺术文献展  中国澳门

  帕克斯艺术项目开幕展  中国北京

《玩具鼠》         798艺术节艺术不是什么  中国北京

《独角戏》         平遥国际摄影展  中国平遥

《丢沙包》         身体与身体  中国北京

《独角戏》         生活在宋庄  中国北京

《行为语录系列》辛福当代艺术展 中国北京

《抓小偷》         长沙首届行为艺术节 中国长沙

《捉迷藏》         中国长沙

《玩跳狮》         冰上盐长沙现场艺术  中国长沙

■  2007

《打地鼠》         第五届大道现场艺术节 中国北京

《玩滑轮》         辣第五届长沙当代艺术展   中国长沙

《玩具车》         八方行为艺术交流展  中国成都

《打地鼠》         三夹板行为艺术展  中国长沙

■  2006

《行为语录系列》 闪光灯长沙当代实验摄影展  中国长沙

《幸运大罗盘》 第七届open国际行为艺术节  中国北京

《玩电游》         地域餐桌第四届长沙当代艺术展   中国长沙

《玩棋子》         陌生景观当代艺术展  中国北京

■  2005

《不倒翁》         以身现身中国行为艺术文献展  中国澳门

《人力发电机》《不倒翁》第二届中国艺术三年展   中国南京

“注意搜索”苏河艺术CG展  中国上海

■  2004

《不倒翁》         T/M/D第三届长沙当代艺术展   中国长沙

 “人工快感”中国当代艺术展  澳大利亚墨尔本

 首届“眨眼”录像艺术节   中国长沙

■  2003

《靠近》             首届北京国际DV论坛  作品荣获实验片优秀奖   中国北京

《三伏》             龙舍酒吧   中国长沙

《玩木偶》         “被制造的快乐”当代艺术展   中国北京

《找乐鸡鸭》     北京“回音”再造798主题展   中国北京

■  2002

《葡萄》、装置《找乐鸡鸭》第二届长沙当代艺术展   中国长沙

《白人》系列    中国长沙

■  2001

《泡泡消失》     首届长沙当代艺术展   中国长沙

《艺术卑微》 、装置《看手相》《珍惜》身份过程实验艺术展   中国长沙

■  2000

《消毒》、《文化快餐》,经视台城市语文  中国长沙

《祭》               师大艺术学院球场  中国长沙

《布道》            平和堂  中国长沙

Wen Peng

■  1977   Ningxiang, Hunan Province, China.  

■   2001 Wen Peng graduated from the College of Art of Hunan Normal University . He currently lives in Changsha, Hunan, where he devotes himself to performance, video and installation art as well as oil painting

SOLO EXHIBITIONS

■  2016 

“News farm Jinaigong`s spring”Wen peng solo exhibition changsha china

■ 2014

Human doll sanlitun dipiomacy builoing hosted by the united states embassy Beijing taxi art salon

"fog" behavior play space sabaki Chinese Guangzhou

■  2013

"monodrama" WenPeng art experiment 798 white box Chinese Beijing

■  2011

WenPeng 2:54 solo exhibition China changsha

■  2010

WenPeng one-man show weeks  Beijing China

■  2009

"has been hollowed out shell," wenpeng`s solo exhibition  Changsha China

“White man`s dandruff” wenpeng`s solo exhibition  Changsha China

■  2008

“Joyful nightmare” Wenpeng solo exhibition Beijing China

■  2002

“Utopia”Solo Installation Art Exhibition  Changsha China

SELECTED GROUP EXHIBITIONS

■  2016 

“Cut off the civilization`s throat ”Group exhibition of experimental art committee of hunan artists association

“on the other side”Organhaus special art program  chongqin china

"In the cloud - the scene of the behavior of the arts", Kunming, Shizong

“Changsha or Xi'an”  Xi'an International Arts Festival, Xi'an, China

“Tengnuo - dimension” maneuvers art institutions China Shenzhen

“Breakfast news” Out of Hunan into the lake of contemporary art exhibition in Changsha, China

■  2015

"play jump" corpse 798 Arts Festival beijing china

"From the 1984 to the beautiful new world" Hunan experimental art annual exhibition China Changsha

The Unicorn 798 Arts Festival beijing china

"Animal world" behavior, "", "a Peiliao day", "a crazy drunk" in planning art "behavior Andorra network" Chinese Changsha

“News breakfast” series Hunan Chinese Changsha Jimu Chutian Art Square

"cool 3 degrees", "and so on," "60 points" is not the body of Chengdu, China

"to stay in Beijing one day" beijing china

 Rebellion and nomadic the alchmy of city experience  Changsha China

■  2014

“In connection” with the third session of the Muyu Lake Art Festival in China Xiangtan

"Psychic series" at this time the oil painting exhibition in Guangzhou, China

"Monologue" ideal light art exhibition in China Changsha

"Language painting series" Hunan contemporary art ecological inspection first back to China Changsha

"Walking Cube" Behavioral Art Unit Beijing, China

■  2013

"language painting series" United Biennale in Taoyuan International China Changsha

"newspaper" contemporary art exhibition China Changsha

"dream marriage" section of Jiang Hua and his students China Beijing

■  2012

Nomination Exhibition Young Artists From Hunan

" veneer game" Wangjing SOHO Chinese Beijing

■  2011

PAN ASIA 4 Performance Art Network ASIA 2011/Seoul Art Space-Mullae,Guangju Museum of Art,Korea/2011.10

"Naihe Bridge" Liuyang River Art Garden, Changsha, China

“body metaphors” Asia contemporary art exhibition

macan internationai performance art  festival Asia live art showcase

■  2010

Hunan yoush art exhibition of contemporary

Innovation  10 Possibilities ( JOYART, Beijing )

The 2th “ChangSha” Live Art Festival (Changsha,China)

Second scene arts festival  Changsha China

"margin" contemporary art exhibition  China changsha

■  2009

"has been hollowed out shell," wenpeng`s solo exhibition  Changsha China-

6th changsha contemporary art exhibition

Application form of GREEN art fair2009 Beijing China

Trends in Hubei and Hunan Chinese Contemporary Art 1985-2009 Guangzhou China

 White man`s dandruff wenpeng`s solo exhibition  Changsha China

Xian No3 "guyu"performance  art festivals Xian China

■  2008

"to play bungee" are coming to China Performance Art Documenta Macao China

"toy mouse" 798 Art Festival Beijing China

"one-man show," Pingyao International Photography Exhibition Pingyao China

"throwing sand" and the physical body Beijing China

"one-man show," Song Zhuang people living Beijing China

"series of performance of quotation" Xinfu Contemporary Art Exhibition  Beijing  China

“Grasping thief” First changsha performance art festivals Changsha China

2008 Joyful nightmare Wenpeng solo exhibition Beijing China

“Hoodman-blind” Changsha China

“Playing jump leo” Icefall Changsha Live Art Changsha China

■  2007

“Hit shrewmouse” 5th DaDao Live Art Festivai Beijing China

“Playing pulley” The 5th chang sha contemporary art exhibition Changsha China

“Minicar” Eight areas performance art  exchange exhibition chengdu China

“Hit shrewmouse” Three-ply performance art  exhibition Changsha China

■  2006

“Performance  ana” The changsha contenporary photodrapy exhibition Changsha China

7th open international performance art festival

Local Table The 4th chang sha contemporary art exhibition

■  2005

Documentaries of Chinese Performance Art Macao China

The Second Triennial Of Chinese Art Nanjing China

”Search alert” 2005 Creek CG Art Exhibition  Shanghai China

■  2004

”T.M.D”The 3th Changsha Contemporary Art Exhibition  Changsha China

”Artificial Happiness” China Contemporary Art Exhibition  Melboume,Australia

”The first “Wink” Video Art Festival  Changsha China

■  2003

“closer with somebody”The first Beijing International DV Forum granted award of experimented short video excellence  Beijing China

”Playing with the Puppet” “The Artificial Happiness”Beijing Contemporary Art Exhibition  Beijing China

“The Hottest Days”Longshe Bar  Changsha China

”Touch the Funny Cock or Duck” Reconstruction of 798Main Exhibition-echo Theme Exhibition  Beijing China

■  2002

”Grapes”,Installation”Touch the Funny Cock or Duck” planned the 2th Changsha Contemporary Art Exhibition  Changsha China

“The Vanishing Bubbles”the first Changsha contemporary Art Exhibition  Changsha China

“Utopia”Solo Installation Art Exhibition  Changsha China

“white colored Man” Changsha China

■  2001

“The Vanishing Bubbles”The lst Changsha contemporary Art Exhibition  Changsha China

“cherishing”selected into the graduation exhibition performance“the Humble Art”,installation“palmestry”,“cherishing”Experimental Art Exhibition  Changsha China

■  2000

“Disinfection”,“Fast Food of Culture” performance in a TV programme called“Urban Language and Literature”hold by ETV Changsha China

“Offer Sacrifices to the Ancestors” the playground of Art College,Hunan Normal University  Changsha China

“Preaching”  Pinghetang Department store Changsha China



 主 办 方 介 绍 


明天文化   艺术投资管理有限公司作为中国西南地区最大的当代艺术收藏机构,旨在支持中国当代艺术的良性发展,建立与世界各地艺术家及艺术机构的交流渠道,为中国艺术家提供多元化平台。明天文化参与并赞助了多项艺术公益项目:赞助举办了威尼斯双年展有史以来规模最大的平行展“未曾呈现的声音”;与“ 芭莎艺术”“联合主办明天成就梦想——芭莎艺术校园行”、 “ 2013明天成就梦想——明天就去威尼斯 ”校园公益活动;作为尤伦斯当代美术馆理事并赞助尤伦斯2014秋季艺术大展 “ 洛杉矶计划 ”;在四川美院雕塑系设立明天当代雕塑奖等 。

艺琅国际   致力于探究全球语境下中国当代艺术的成就和发展方向,呈现中国当代艺术体系的发展进程。为了实现这一终极理念,艺琅国际不仅不遗余力地推动各种类型的优秀当代艺术,也致力于发掘具有崭新视觉和态度的当代艺术家们,探讨当下的艺术新媒介、新美学对当代中国艺术的影响。艺琅国际具备规范的组织架构、国际化当代艺术的运营模式、优秀的管理团队,权威的艺术专家顾问,并拥有完善的艺术展示空间以及国际化的艺术家驻留平台。


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